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Síða 129
Such a deconstruction of the phenomenological reduction is suggested by the reflexive expression we encountered a moment ago , nous nous sommes parlé ( as in “ nous nous sommes plus parlé au téléphone " ) , in which the same ...
Such a deconstruction of the phenomenological reduction is suggested by the reflexive expression we encountered a moment ago , nous nous sommes parlé ( as in “ nous nous sommes plus parlé au téléphone " ) , in which the same ...
Síða 130
Derrida's foregrounding here of the untranslatable knot tied in the French phrase parler au téléphone serves as a good example of the way he lets idiomatic expressions think for him . He takes absolutely seriously the fact that this ...
Derrida's foregrounding here of the untranslatable knot tied in the French phrase parler au téléphone serves as a good example of the way he lets idiomatic expressions think for him . He takes absolutely seriously the fact that this ...
Síða 146
More precisely , these sound , if one only hears them pronounced , for example , on the telephone , like a play on gender or sexual difference : a ( masculine ) shadow , a ( feminine ) shadow ( un ombre , une ombre ) .
More precisely , these sound , if one only hears them pronounced , for example , on the telephone , like a play on gender or sexual difference : a ( masculine ) shadow , a ( feminine ) shadow ( un ombre , une ombre ) .
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing