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Síða 27
in a virtual sense , but often explicitly , a sort of literary theorem - it is easier to speak of comparative literature if this borrowing concerns a literature that is foreign from a linguistic or national point of view , but since ...
in a virtual sense , but often explicitly , a sort of literary theorem - it is easier to speak of comparative literature if this borrowing concerns a literature that is foreign from a linguistic or national point of view , but since ...
Síða 139
No sense of sight , only a “ sense of weight . " 71 The " weight " talks to the “ fisherman ” ; it “ tells ” him , through the mediation of the “ net , ” about the “ catch . ” According to Benjamin's metaphor , this buoyant seaworthy ...
No sense of sight , only a “ sense of weight . " 71 The " weight " talks to the “ fisherman ” ; it “ tells ” him , through the mediation of the “ net , ” about the “ catch . ” According to Benjamin's metaphor , this buoyant seaworthy ...
Síða 167
From that is derived what Jean - Pierre Moussaron does not hesitate to call free's opening onto the future , its insistence on " what the present instant includes of what is to come " ; its sense , therefore , of the event : “ [ C ] ...
From that is derived what Jean - Pierre Moussaron does not hesitate to call free's opening onto the future , its insistence on " what the present instant includes of what is to come " ; its sense , therefore , of the event : “ [ C ] ...
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing