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Síða 63
The ungraspable — remain ( s ) ... is the relation without relation of the two columns or colossi or bands ... which are stuck on and woven into each other , at the same time clinging to each other and sliding one over the other in a ...
The ungraspable — remain ( s ) ... is the relation without relation of the two columns or colossi or bands ... which are stuck on and woven into each other , at the same time clinging to each other and sliding one over the other in a ...
Síða 256
To some extent , then , Proust does not deny a relation between the author and the work , but he argues that if one wants to acquire “ the intelligence of the works , ” one should ask nothing , above all one should not depend on the ...
To some extent , then , Proust does not deny a relation between the author and the work , but he argues that if one wants to acquire “ the intelligence of the works , ” one should ask nothing , above all one should not depend on the ...
Síða 265
70 This reflection on maintenant as a hanging in there could be grafted to another argument of Derrida , this time concerning the singularity of the event , the one - time of maintenant that inaugurates a specific relation to the other ...
70 This reflection on maintenant as a hanging in there could be grafted to another argument of Derrida , this time concerning the singularity of the event , the one - time of maintenant that inaugurates a specific relation to the other ...
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing