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Síða 11
а uncertain , but the very use of the words marking this bifurcation by italics hovers between mention and use , thus dividing the words in themselves between a performative use ( the italicized " who " or " what are marked ...
а uncertain , but the very use of the words marking this bifurcation by italics hovers between mention and use , thus dividing the words in themselves between a performative use ( the italicized " who " or " what are marked ...
Síða 141
... is the result of a performative event that produces what it distinguishes or separates , that finds while creating And the performative event overflows here into Derrida's writing , which performs , in turn , what it describes : the ...
... is the result of a performative event that produces what it distinguishes or separates , that finds while creating And the performative event overflows here into Derrida's writing , which performs , in turn , what it describes : the ...
Síða 218
These include justice as against law , performative as against constative enunciations , faith as against knowledge , messianicity without messianism , the democracy to come , the new international , teletechnoeconomicoculturalmediatic ...
These include justice as against law , performative as against constative enunciations , faith as against knowledge , messianicity without messianism , the democracy to come , the new international , teletechnoeconomicoculturalmediatic ...
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing