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Síða 11
а uncertain , but the very use of the words marking this bifurcation by italics hovers between mention and use , thus dividing the words in themselves between a performative use ( the italicized " who " or " what are marked , re ...
а uncertain , but the very use of the words marking this bifurcation by italics hovers between mention and use , thus dividing the words in themselves between a performative use ( the italicized " who " or " what are marked , re ...
Síða 146
And although voices are generally strongly marked in terms of sexual difference , shadows , at least when this word refers to the dead , are beyond sexuality , sexual desire , and thus in some way sexual difference .
And although voices are generally strongly marked in terms of sexual difference , shadows , at least when this word refers to the dead , are beyond sexuality , sexual desire , and thus in some way sexual difference .
Síða 264
concerns the temporality of the “ now ” uttered in the film , a temporality that is marked by differance in Derrida's very term “ already " : “ Yes , now I do , yes .'... Already this was a little strange ” ( my emphasis ) .
concerns the temporality of the “ now ” uttered in the film , a temporality that is marked by differance in Derrida's very term “ already " : “ Yes , now I do , yes .'... Already this was a little strange ” ( my emphasis ) .
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing