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Síða 44
... and all the words that no longer mean anything by dint of signifying so much.37 And here is this normative comment ( propos ) in its most ambitious and I must say its most disturbing form : the production of a poetics that would lay ...
... and all the words that no longer mean anything by dint of signifying so much.37 And here is this normative comment ( propos ) in its most ambitious and I must say its most disturbing form : the production of a poetics that would lay ...
Síða 108
For I no longer know who I am ( following ) or who it is I am chasing , who is following me or hunting me . Who comes before and who is after whom . I no longer know where my head is . Madness . . . . I no longer know how to respond ...
For I no longer know who I am ( following ) or who it is I am chasing , who is following me or hunting me . Who comes before and who is after whom . I no longer know where my head is . Madness . . . . I no longer know how to respond ...
Síða 147
But it does not annul it , or not only , by beating it at its own game , if I can put it that way , for example , by going so fast that the distance no longer matters . In other words , it is not the tele- of the telephone that turns ...
But it does not annul it , or not only , by beating it at its own game , if I can put it that way , for example , by going so fast that the distance no longer matters . In other words , it is not the tele- of the telephone that turns ...
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing