Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 30,Útgáfur 1-2Indiana University Press, 2008 |
From inside the book
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Síða 167
... jazz improvisation , and in free jazz , a hospitable opening to what can arrive . Derrida notes that Coleman's sense of free does not require a distinction between what is written and what is performed ( " Ornette once said about Prime ...
... jazz improvisation , and in free jazz , a hospitable opening to what can arrive . Derrida notes that Coleman's sense of free does not require a distinction between what is written and what is performed ( " Ornette once said about Prime ...
Síða 172
... jazz that resounds with previous codes that are nevertheless “ reread and remade , disjointed , written over , reassembled , interpenetrating , set to echo , parodied , etc. ” ( Jean - Pierre Mous-. saron. ,. “ Feu. le. Free ? " in. Feu. le.
... jazz that resounds with previous codes that are nevertheless “ reread and remade , disjointed , written over , reassembled , interpenetrating , set to echo , parodied , etc. ” ( Jean - Pierre Mous-. saron. ,. “ Feu. le. Free ? " in. Feu. le.
Síða 173
... jazz , like the first note or notes of an improvisation , the moment when an instrument imposes its sound and carries the listener off . Any number of examples come to mind , such as to remain within the general culture - Dizzy ...
... jazz , like the first note or notes of an improvisation , the moment when an instrument imposes its sound and carries the listener off . Any number of examples come to mind , such as to remain within the general culture - Dizzy ...
Efni
Jacques Derrida Allegorical Portrait | 21 |
Jacques Derrida translation by Eric Prenowitz | 35 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Höfundarréttur | |
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