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Síða 178
But , in the next scene , the beginning of Hamlet's exchange with the Ghost interjects a suspended and ambiguous “ What ? ” between the lines of the apparition's appeal : HAMLET : Alas , poor ghost ! GHOST : Pity me not , but lend thy ...
But , in the next scene , the beginning of Hamlet's exchange with the Ghost interjects a suspended and ambiguous “ What ? ” between the lines of the apparition's appeal : HAMLET : Alas , poor ghost ! GHOST : Pity me not , but lend thy ...
Síða 179
For , at the point of this interjection , the Ghost has not yet answered Horatio's question “ What art thou ? " with the claim “ I am thy father's spirit , ” which is the next line , right after Hamlet's suspended interjection “ What ?
For , at the point of this interjection , the Ghost has not yet answered Horatio's question “ What art thou ? " with the claim “ I am thy father's spirit , ” which is the next line , right after Hamlet's suspended interjection “ What ?
Síða 271
believe on the contrary that the future is that of ghosts . ... yet “ perinatal ” suggests a future , an event to come , and does justice to Derrida's explanation that the time of the ghost is as much in gestation as in the past .
believe on the contrary that the future is that of ghosts . ... yet “ perinatal ” suggests a future , an event to come , and does justice to Derrida's explanation that the time of the ghost is as much in gestation as in the past .
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing