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Síða 61
14 Derrida explains this figure : a My desire resembles that of a lover of the tradition who would like to free himself from conservatism . Imagine someone who is mad for the past , mad for an absolute past , a past that would no longer ...
14 Derrida explains this figure : a My desire resembles that of a lover of the tradition who would like to free himself from conservatism . Imagine someone who is mad for the past , mad for an absolute past , a past that would no longer ...
Síða 184
It is the voice — and the friend — whose singularity is borrowed , metonymically , in the figure of the singular ear . Derrida says as much in the opening sentences of the " Heidegger's Ear , " after the first citation of Heidegger's ...
It is the voice — and the friend — whose singularity is borrowed , metonymically , in the figure of the singular ear . Derrida says as much in the opening sentences of the " Heidegger's Ear , " after the first citation of Heidegger's ...
Síða 234
37 What is at stake in Derrida's challenge to Deleuze and Lacan regarding the figure of the animal and the question of the unconscious is thus the problem of anthropomorphism in defining the boundaries of the human .
37 What is at stake in Derrida's challenge to Deleuze and Lacan regarding the figure of the animal and the question of the unconscious is thus the problem of anthropomorphism in defining the boundaries of the human .
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing