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Síða 101
He can be that in the blindfolded eyes of the undying one . But then is he not himself Synagogue ? " the gathering , ” is not his corpus as he often calls it , the “ said place that says or dictates to gather together , the place where ...
He can be that in the blindfolded eyes of the undying one . But then is he not himself Synagogue ? " the gathering , ” is not his corpus as he often calls it , the “ said place that says or dictates to gather together , the place where ...
Síða 103
“ Someone who has written a lot on eyes , ” he says , an expert in writing on the eyes . 45 Whose eyes ? In general the eyes of the blind . But what is blindness ? And what is writing on eyes ? How and with what can one write on eyes ?
“ Someone who has written a lot on eyes , ” he says , an expert in writing on the eyes . 45 Whose eyes ? In general the eyes of the blind . But what is blindness ? And what is writing on eyes ? How and with what can one write on eyes ?
Síða 117
I simply raised my eyes to look at one of them and I said to her , “ Do you wish to sit down , ” and in front of them my eyes saw her rose - colored cheeks . ... my eyes kissed those rosy cheeks , smelled them , tasted them , put them ...
I simply raised my eyes to look at one of them and I said to her , “ Do you wish to sit down , ” and in front of them my eyes saw her rose - colored cheeks . ... my eyes kissed those rosy cheeks , smelled them , tasted them , put them ...
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing