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Síða 92
Like Stephen he says : I. On the Joycean beach where everything speaks , all limits are displaced . Jacques Derrida comes to our aid once and for all : © The idea according to which man is the only speaking being , in its traditional ...
Like Stephen he says : I. On the Joycean beach where everything speaks , all limits are displaced . Jacques Derrida comes to our aid once and for all : © The idea according to which man is the only speaking being , in its traditional ...
Síða 180
For example , already in the parenthetical phrase" ( everything comes down to the ear with which you can hear me ) ” — where everything comes down the ear . Which ear ? Whose ear ? The ear of what ? And even we might ask , recalling ...
For example , already in the parenthetical phrase" ( everything comes down to the ear with which you can hear me ) ” — where everything comes down the ear . Which ear ? Whose ear ? The ear of what ? And even we might ask , recalling ...
Síða 260
Emphasizing time and again the artificiality of the setting , Derrida also insists on the fiction that it will constitute : “ Everything is false . Almost , almost everything . I'm not really like this . " 35 At times , Derrida protests ...
Emphasizing time and again the artificiality of the setting , Derrida also insists on the fiction that it will constitute : “ Everything is false . Almost , almost everything . I'm not really like this . " 35 At times , Derrida protests ...
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing