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Síða 162
I would call this , as your mother would have done , a priceless event . ' You won't be paid for your soul , would you ? ' Thanks . ” 20 “ Joue — le prénom ” is thoughtfully and cunningly constructed . It is a considerably scaled - back ...
I would call this , as your mother would have done , a priceless event . ' You won't be paid for your soul , would you ? ' Thanks . ” 20 “ Joue — le prénom ” is thoughtfully and cunningly constructed . It is a considerably scaled - back ...
Síða 165
... in no way resembled what took place in front of the audience , under the conditions I've told you about . You know what happened subsequently , the event comes , as always , after the event ( après coup ] .31 So what happened ?
... in no way resembled what took place in front of the audience , under the conditions I've told you about . You know what happened subsequently , the event comes , as always , after the event ( après coup ] .31 So what happened ?
Síða 168
Would the name have been uttered as a theme that was then improvised upon , or would it exist as pure improvisation , pure invention , something akin to the event itself ? Indeed , is it as a form of music that the gift is received ...
Would the name have been uttered as a theme that was then improvised upon , or would it exist as pure improvisation , pure invention , something akin to the event itself ? Indeed , is it as a form of music that the gift is received ...
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing