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Síða 142
As if Hélène Cixous , and Hélène Cixous's telephone , were on the line from the very premises of deconstruction . Because even before Cixous fashions a performative fishing net out of telephone lines , there is already a proto ...
As if Hélène Cixous , and Hélène Cixous's telephone , were on the line from the very premises of deconstruction . Because even before Cixous fashions a performative fishing net out of telephone lines , there is already a proto ...
Síða 149
100 says Hélène Cixous according to Jacques Derrida , you who do not know how to telephone , how to use the ... Because , according to Cixous's sentence according to Derrida , “ the spirit is not the spirit by opposition to the body .
100 says Hélène Cixous according to Jacques Derrida , you who do not know how to telephone , how to use the ... Because , according to Cixous's sentence according to Derrida , “ the spirit is not the spirit by opposition to the body .
Síða 153
95 ) , the “ puissance " of a certain “ puisse ” ( 61 ) , as well as “ life , ” the “ vivement ” ( 57 ) of all that is “ for life ” in Cixous's writing . 32 Hélène Cixous , “ Writing Blind : Conversation with the Donkey , ” trans .
95 ) , the “ puissance " of a certain “ puisse ” ( 61 ) , as well as “ life , ” the “ vivement ” ( 57 ) of all that is “ for life ” in Cixous's writing . 32 Hélène Cixous , “ Writing Blind : Conversation with the Donkey , ” trans .
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Efni
Jacques Derrida Allegorical Portrait | 21 |
Questce qui arrive?Two Texts Divided in Two After | 54 |
Hélène Cixous translation by Peggy Kamuf | 123 |
Höfundarréttur | |
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according already animal appears arrive autobiography become beginning blindness body Chicago Cixous comes comparative literature concept constitution course death democracy difference effect English essay event everything example eyes face fact figure force French ghost give given going hand happens hear Hélène human Ibid Jacques Derrida keys language least less listen literary living logic longer look marked means mourning never object once original Paris performative perhaps person philosophical play plurality political possible present proper name question quotation receive reference reflection relation remains response scene secret seems seen sense sentence signifier singular someone speak specter spectral speech Stanford structure talking telephone thing thought tion trace trans translation turn University University Press visible voice writing