Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 21,Útgáfa 1Indiana University Press, 1999 |
From inside the book
Niðurstöður 1 - 3 af 24
Síða 64
... sense of recognition occurs to me in front of an arabesque ( one that lasts an instant , to be seamlessly replaced by another sense of recognition the next instant ) , for the person in front of the arabesque is himself or herself a ...
... sense of recognition occurs to me in front of an arabesque ( one that lasts an instant , to be seamlessly replaced by another sense of recognition the next instant ) , for the person in front of the arabesque is himself or herself a ...
Síða 68
... sense of suffocation one experiences in the regular division of the plane works of M.C. Escher , an admirer of ... sense that a space that can accommodate without overcrowding a certain number of people imbued with the sense of perpetual ...
... sense of suffocation one experiences in the regular division of the plane works of M.C. Escher , an admirer of ... sense that a space that can accommodate without overcrowding a certain number of people imbued with the sense of perpetual ...
Síða 148
... sense that a true interpretation is one in which one is aware even when the prophetic dream is actualized that the latter is still a dream . “ And Pharaoh awoke , and look , it was a dream " ( Gen. 41 : 7 ) . First sense : he awoke and ...
... sense that a true interpretation is one in which one is aware even when the prophetic dream is actualized that the latter is still a dream . “ And Pharaoh awoke , and look , it was a dream " ( Gen. 41 : 7 ) . First sense : he awoke and ...
Efni
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women