Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 21,Útgáfa 1Indiana University Press, 1999 |
From inside the book
Niðurstöður 1 - 3 af 24
Síða 37
... never untied . Dramatic positivity is canceled , and instead of the body we expected to be fished out of the river , an urn emerges , the fleeting , pathetic sign of a democracy that was known to be if not drowned , murdered , then at ...
... never untied . Dramatic positivity is canceled , and instead of the body we expected to be fished out of the river , an urn emerges , the fleeting , pathetic sign of a democracy that was known to be if not drowned , murdered , then at ...
Síða 82
... never have been a self ( soi ) fixed in a position of spectator , because a subject is never but the acute and tenuous point of a forward movement ( avancée ) that precedes itself indefinitely . The subject has not project , it does not ...
... never have been a self ( soi ) fixed in a position of spectator , because a subject is never but the acute and tenuous point of a forward movement ( avancée ) that precedes itself indefinitely . The subject has not project , it does not ...
Síða 165
... never able to resume the shooting of Time of Maturity . I shot a short about the second Teheran Film Festival , about the poor , those who know nothing about the festival . The film was macabre ; the director had asked me to make a ...
... never able to resume the shooting of Time of Maturity . I shot a short about the second Teheran Film Festival , about the poor , those who know nothing about the festival . The film was macabre ; the director had asked me to make a ...
Efni
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
actors Ahmed Kamal Akhenaton al-Khayal appears approaches Arab arabesque artists Ash'arite Ashik Kerib asked atomism Ayyub Brother Cahiers du cinéma Cairo calligraphy camera character Chekhov child cinema color continues culture dark dead dhikr disappears distance dream Dynasty Effendies Egypt Egyptian El-Badawy empty eyes face father feel figures film filmmaker gaze guards halts hand Ibn al-'Arabi imagination interpretation Iran Iranian Iraqi Islamic Jacob Joseph jump cuts letter live Maspero Moslem Mother mountain moves Muḥammad mummies Murad narrative papyrus Paradjanov's passes Pharaoh present prophet Qur'ān reality Relative Saless sarcophagus Sayat Nova Scene script Selim shadow shoot shot silence Sohrab Shahid Saless someone sound story Stranger Sufi television tell temporal thee thing thought thoughtfully Titus Burckhardt Toba Khedoori tomb tribe turns round Uncle village visual Voice walks Wanys Wanys looks Wanys stands woman word Zyna