Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 21,Útgáfa 1Indiana University Press, 1999 |
From inside the book
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Síða 83
... distance . Before the credits , during the first ten minutes , there will have been experimentation , and reference to what would not be the earthquake : the solidity of cement constructions opposed to those in terracotta that were ...
... distance . Before the credits , during the first ten minutes , there will have been experimentation , and reference to what would not be the earthquake : the solidity of cement constructions opposed to those in terracotta that were ...
Síða 84
... distance , or else , that in front of which one finds the right distance , the proximity that lets the relation take place , and that opens to continuity . Similarly , we have to wait for the right moment for music to become possible ...
... distance , or else , that in front of which one finds the right distance , the proximity that lets the relation take place , and that opens to continuity . Similarly , we have to wait for the right moment for music to become possible ...
Síða 86
... distance : to see coming and passing by something true , not a truthful image , but the truth of life offering images to itself . ( A few more remarks : could it be that Abbas Kiarostami in a discreet homage to the culture of his people ...
... distance : to see coming and passing by something true , not a truthful image , but the truth of life offering images to itself . ( A few more remarks : could it be that Abbas Kiarostami in a discreet homage to the culture of his people ...
Efni
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women