Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 21,Útgáfa 1Indiana University Press, 1999 |
From inside the book
Niðurstöður 1 - 3 af 26
Síða 70
... become cognizant that he is in the likeness of himself , i.e. to become aware of renewed creation . In the jump cuts man is in the image of himself . No cinema has shown such love not for the irreplaceable , 16 but for the singularity ...
... become cognizant that he is in the likeness of himself , i.e. to become aware of renewed creation . In the jump cuts man is in the image of himself . No cinema has shown such love not for the irreplaceable , 16 but for the singularity ...
Síða 86
... becomes thought . It is that which frays images so that images become this thought , so that they become the evidence of this thought — and not in order to " represent ” it . Film may want to represent ; it can also go in the direction ...
... becomes thought . It is that which frays images so that images become this thought , so that they become the evidence of this thought — and not in order to " represent ” it . Film may want to represent ; it can also go in the direction ...
Síða 176
... becoming a machine himself ; he is consumed and dehumanized . MH & R : You insist upon that which leads the individual to become a stranger to himself , to fall into a kind of insanity born of alienation ... SSS : In Rome , two months ...
... becoming a machine himself ; he is consumed and dehumanized . MH & R : You insist upon that which leads the individual to become a stranger to himself , to fall into a kind of insanity born of alienation ... SSS : In Rome , two months ...
Efni
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
actors Ahmed Kamal Akhenaton al-Khayal appears approaches Arab arabesque artists Ash'arite Ashik Kerib asked atomism Ayyub Brother Cahiers du cinéma Cairo calligraphy camera character Chekhov child cinema color continues culture dark dead dhikr disappears distance dream Dynasty Effendies Egypt Egyptian El-Badawy empty eyes face father feel figures film filmmaker gaze guards halts hand Ibn al-'Arabi imagination interpretation Iran Iranian Iraqi Islamic Jacob Joseph jump cuts letter live Maspero Moslem Mother mountain moves Muḥammad mummies Murad narrative papyrus Paradjanov's passes Pharaoh present prophet Qur'ān reality Relative Saless sarcophagus Sayat Nova Scene script Selim shadow shoot shot silence Sohrab Shahid Saless someone sound story Stranger Sufi television tell temporal thee thing thought thoughtfully Titus Burckhardt Toba Khedoori tomb tribe turns round Uncle village visual Voice walks Wanys Wanys looks Wanys stands woman word Zyna