Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 21,Útgáfa 1Indiana University Press, 1999 |
From inside the book
Niðurstöður 1 - 3 af 26
Síða 70
... become cognizant that he is in the likeness of himself , i.e. to become aware of renewed creation . In the jump cuts man is in the image of himself . No cinema has shown such love not for the irreplaceable , 16 but for the singularity ...
... become cognizant that he is in the likeness of himself , i.e. to become aware of renewed creation . In the jump cuts man is in the image of himself . No cinema has shown such love not for the irreplaceable , 16 but for the singularity ...
Síða 86
... becomes thought . It is that which frays images so that images become this thought , so that they become the evidence of this thought — and not in order to “ represent " it . Film may want to represent ; it can also go in the direction ...
... becomes thought . It is that which frays images so that images become this thought , so that they become the evidence of this thought — and not in order to “ represent " it . Film may want to represent ; it can also go in the direction ...
Síða 176
... becoming a machine himself ; he is consumed and dehumanized . MH & R : You insist upon that which leads the individual to become a stranger to himself , to fall into a kind of insanity born of alienation . . . SSS : In Rome , two months ...
... becoming a machine himself ; he is consumed and dehumanized . MH & R : You insist upon that which leads the individual to become a stranger to himself , to fall into a kind of insanity born of alienation . . . SSS : In Rome , two months ...
Efni
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
actors Ahmed Kamal appears approaches Arab asked Ayyub become body Brother Cairo carried character child cinema color continues Cousin culture cuts dark dead death direction disappears distance dream Egypt Egyptian El-Badawy existence eyes face father feel figures film filmmaker followed gaze give guards hand imagination interpretation Islamic It's Joseph kind leave letter light live looks means Michigan Moslem Mother mountain moves Murad narrative nature never objects passes person play present produce prophet question reality relation Relative remains rises round Scene seen sense shadow shoot shot side silent simple sound space speak stands steps stops story Stranger television tell thing thought turns Uncle University Voice walks Wanys woman women