Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 21,Útgáfa 1Indiana University Press, 1999 |
From inside the book
Niðurstöður 1 - 3 af 96
Síða 84
... Saless, used to portray not the text of his characters' lives, but the subtext. This film, as Shahid Saless himself has described it, is “the way of life of people and their uncon- ditional surrender in life.”25 When the film was shown ...
... Saless, used to portray not the text of his characters' lives, but the subtext. This film, as Shahid Saless himself has described it, is “the way of life of people and their uncon- ditional surrender in life.”25 When the film was shown ...
Síða 143
... Saless had been living and working in German exile for half a decade, and his standing as one of the most acclaimed directors associated with the New German Cinema was largely secure. According to Shahid Saless scholar Michelle Langford ...
... Saless had been living and working in German exile for half a decade, and his standing as one of the most acclaimed directors associated with the New German Cinema was largely secure. According to Shahid Saless scholar Michelle Langford ...
Síða 149
... Saless, whose overall oeuvre manifests such clear aesthetic and the- matic continuities. Not least among these problems is that it risks reducing Saless's films to merely one level of meaning – namely, of being reflective ...
... Saless, whose overall oeuvre manifests such clear aesthetic and the- matic continuities. Not least among these problems is that it risks reducing Saless's films to merely one level of meaning – namely, of being reflective ...
Efni
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
actors Ahmed Kamal Akhenaton al-Khayal appears approaches Arab arabesque artists Ash'arite Ashik Kerib asked atomism Ayyub Brother Cahiers du cinéma Cairo calligraphy camera character Chekhov child cinema color continues culture dark dead dhikr disappears distance dream Dynasty Effendies Egypt Egyptian El-Badawy empty eyes face father feel figures film filmmaker gaze guards halts hand Ibn al-'Arabi imagination interpretation Iran Iranian Iraqi Islamic Jacob Joseph jump cuts letter live Maspero Moslem Mother mountain moves Muḥammad mummies Murad narrative papyrus Paradjanov's passes Pharaoh present prophet Qur'ān reality Relative Saless sarcophagus Sayat Nova Scene script Selim shadow shoot shot silence Sohrab Shahid Saless someone sound story Stranger Sufi television tell temporal thee thing thought thoughtfully Titus Burckhardt Toba Khedoori tomb tribe turns round Uncle village visual Voice walks Wanys Wanys looks Wanys stands woman word Zyna