Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 21,Útgáfa 1Indiana University Press, 1999 |
From inside the book
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Síða 66
... Moslem art . The Moslem floral arabesque does not manifest any basic abstraction in relation to the flower in the world , since there is no nature and proper characteristics of the latter . Primarily and fundamentally , the abstraction ...
... Moslem art . The Moslem floral arabesque does not manifest any basic abstraction in relation to the flower in the world , since there is no nature and proper characteristics of the latter . Primarily and fundamentally , the abstraction ...
Síða 67
... Moslem miniatures and Moslem art in general are virtually as linked to the void as Chi- nese art , but in a different manner and to a different kind of void . The void in the former is not seen in the frame but is nonetheless inscribed ...
... Moslem miniatures and Moslem art in general are virtually as linked to the void as Chi- nese art , but in a different manner and to a different kind of void . The void in the former is not seen in the frame but is nonetheless inscribed ...
Síða 72
... Moslem philosophers , the falāsifa , time is continuous ; to the Ismā'īlīs , time is cyclical . . . . Nonetheless , it certainly is the one most akin to the basic cinematographic appara- tus . Cinema is the first adequate medium to ...
... Moslem philosophers , the falāsifa , time is continuous ; to the Ismā'īlīs , time is cyclical . . . . Nonetheless , it certainly is the one most akin to the basic cinematographic appara- tus . Cinema is the first adequate medium to ...
Efni
IntroductionThats | 11 |
Middle Eastern Films Before Thy Gaze Returns to Theein Less | 56 |
Life and Nothing More by Abbas Kiarostami | 77 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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Common terms and phrases
actors Ahmed Kamal Akhenaton al-Khayal appears approaches Arab arabesque artists Ash'arite Ashik Kerib asked atomism Ayyub Brother Cahiers du cinéma Cairo calligraphy camera character Chekhov child cinema color continues culture dark dead dhikr disappears distance dream Dynasty Effendies Egypt Egyptian El-Badawy empty eyes face father feel figures film filmmaker gaze guards halts hand Ibn al-'Arabi imagination interpretation Iran Iranian Iraqi Islamic Jacob Joseph jump cuts letter live Maspero Moslem Mother mountain moves Muḥammad mummies Murad narrative papyrus Paradjanov's passes Pharaoh present prophet Qur'ān reality Relative Saless sarcophagus Sayat Nova Scene script Selim shadow shoot shot silence Sohrab Shahid Saless someone sound story Stranger Sufi television tell temporal thee thing thought thoughtfully Titus Burckhardt Toba Khedoori tomb tribe turns round Uncle village visual Voice walks Wanys Wanys looks Wanys stands woman word Zyna