Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 24Indiana University Press, 2002 |
From inside the book
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Síða 115
... possible after Auschwitz . It's not a matter of calling into question ( incriminer ) what cinema would still like to do after the horror of the camps . Godard's thesis is the opposite : if cinema has become " impossible " after ...
... possible after Auschwitz . It's not a matter of calling into question ( incriminer ) what cinema would still like to do after the horror of the camps . Godard's thesis is the opposite : if cinema has become " impossible " after ...
Síða 27
... possible " ( Tears 53 ) . At once a unique and universal possibility , Lascaux opens onto an ecology of the extremities of the possible , an impossible ecology , a subjectivity given in the visuality of ( also a single ) extremity ...
... possible " ( Tears 53 ) . At once a unique and universal possibility , Lascaux opens onto an ecology of the extremities of the possible , an impossible ecology , a subjectivity given in the visuality of ( also a single ) extremity ...
Síða 106
... possible aspects . Genova argues that " one isn't arguing for any specific way of seeing , but only for the pos- sibility of seeing things differently ” ( 4 ) . Here we can see aspectual- ity " in itself , " so to speak . But as a ...
... possible aspects . Genova argues that " one isn't arguing for any specific way of seeing , but only for the pos- sibility of seeing things differently ” ( 4 ) . Here we can see aspectual- ity " in itself , " so to speak . But as a ...
Efni
Ecological Consciousness | 3 |
Lascaux Eros and the Anamorphic Subject | 18 |
The City and Its Other | 30 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light living look material memory ment mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Richard Foreman Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York