Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 24Indiana University Press, 2002 |
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Niðurstöður 1 - 3 af 66
Síða 27
... move in the atmosphere , which belongs to the world , but in light ; and vertiginous , since angels , who move without friction , and who are faith - full , do not feel any difference between moving a mountain and moving a feather ...
... move in the atmosphere , which belongs to the world , but in light ; and vertiginous , since angels , who move without friction , and who are faith - full , do not feel any difference between moving a mountain and moving a feather ...
Síða 103
... moves . Eisenstein hardly ever talks about camera movement : all he needs is the movement between shots or frames , montage in itself . Move- ment becomes merely the index of the shots or frames , confining movement to its relation to ...
... moves . Eisenstein hardly ever talks about camera movement : all he needs is the movement between shots or frames , montage in itself . Move- ment becomes merely the index of the shots or frames , confining movement to its relation to ...
Síða 104
... moves in two directions , however . Let us correlate the " result " of this last quote with that of the " resultant " of the ... move- ments from the movements of these things : geometrical , precise , superhuman . At the " same " " time ...
... moves in two directions , however . Let us correlate the " result " of this last quote with that of the " resultant " of the ... move- ments from the movements of these things : geometrical , precise , superhuman . At the " same " " time ...
Efni
Ecological Consciousness | 3 |
Lascaux Eros and the Anamorphic Subject | 18 |
The City and Its Other | 30 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light living look material memory ment mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Richard Foreman Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York