Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 24Indiana University Press, 2002 |
From inside the book
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Síða 56
... impression into it , as if we were making marks with signet - rings . We remember and know anything imprinted , as long as the impression remains in the block ; but we forget and do not know anything which is erased or cannot be ...
... impression into it , as if we were making marks with signet - rings . We remember and know anything imprinted , as long as the impression remains in the block ; but we forget and do not know anything which is erased or cannot be ...
Síða 57
... impression and the aviary is that they propose almost competing theories of storage and retrieval . 13 Whereas the typographical model we saw earlier proposed the mind as a material substance gradually carved out by impressions , the ...
... impression and the aviary is that they propose almost competing theories of storage and retrieval . 13 Whereas the typographical model we saw earlier proposed the mind as a material substance gradually carved out by impressions , the ...
Síða 62
... impression is to receive the present only as it unfolds in time . The musical impression , in other words , does not leave eternal , unchanging marks on the wax tablet . Rather , it gives the very impression of time as it unfolds . The ...
... impression is to receive the present only as it unfolds in time . The musical impression , in other words , does not leave eternal , unchanging marks on the wax tablet . Rather , it gives the very impression of time as it unfolds . The ...
Efni
Ecological Consciousness | 3 |
Lascaux Eros and the Anamorphic Subject | 18 |
The City and Its Other | 30 |
Höfundarréttur | |
7 aðrir hlutar ekki sýndir
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