Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Útgáfa 24Indiana University Press, 2002 |
From inside the book
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Síða 126
... conceptual art " has been an arch - theme among many if not most of the retrospective accounts . Smithson's evaluation of conceptual art , however , was not melan- cholic like some of these later interpretations . He was not presum- ing ...
... conceptual art " has been an arch - theme among many if not most of the retrospective accounts . Smithson's evaluation of conceptual art , however , was not melan- cholic like some of these later interpretations . He was not presum- ing ...
Síða 145
... Conceptual Art , " op . cit . Here are a few further examples : “ The contra- diction of conceptual art - what might be called its failure - is that it remained in many ways modernist . Although these projects were critical of ...
... Conceptual Art , " op . cit . Here are a few further examples : “ The contra- diction of conceptual art - what might be called its failure - is that it remained in many ways modernist . Although these projects were critical of ...
Síða 147
... conceptual art ' was like a ball that the art - world immediately ran with , driving deep into the territory of Idealism . No Pythagorean dream was too exalted for this art not to be able to reflect it as visual metaphor , as ...
... conceptual art ' was like a ball that the art - world immediately ran with , driving deep into the territory of Idealism . No Pythagorean dream was too exalted for this art not to be able to reflect it as visual metaphor , as ...
Efni
Ecological Consciousness | 3 |
Lascaux Eros and the Anamorphic Subject | 18 |
The City and Its Other | 30 |
Höfundarréttur | |
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light living look material memory ment mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Richard Foreman Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York