Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 12Indiana University Press, 1989 |
From inside the book
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Síða 32
... viewer , " plus proche " as Sartre says , yet farther away , as I have argued here ? In relation to the viewer , says Sartre , the image of the film actor " dominates from above . The viewer is squashed : low- angles . Theatre is ...
... viewer , " plus proche " as Sartre says , yet farther away , as I have argued here ? In relation to the viewer , says Sartre , the image of the film actor " dominates from above . The viewer is squashed : low- angles . Theatre is ...
Síða 41
... viewer , is derealized - but not by a gesture . The tension , which is felt by all viewers in the audience and which unites them , is this : the material situa- tion posits an object in its center of balance ( narrative identity ) and ...
... viewer , is derealized - but not by a gesture . The tension , which is felt by all viewers in the audience and which unites them , is this : the material situa- tion posits an object in its center of balance ( narrative identity ) and ...
Síða 42
... viewer is invited to trick herself or himself into knowing an impossible way of being . This " trick " is what unites the audience against the film , unites them in a project against this impossibility : the praxis of working out ( of ) ...
... viewer is invited to trick herself or himself into knowing an impossible way of being . This " trick " is what unites the audience against the film , unites them in a project against this impossibility : the praxis of working out ( of ) ...
Efni
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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