Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 12Indiana University Press, 1989 |
From inside the book
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Síða 5
... modernism , he explores how modernist painters of all types exploited mass culture to stimulate their experiments in visual form , either by making popular entertainment the subject matter of their paint- ings ( the impressionists ) or ...
... modernism , he explores how modernist painters of all types exploited mass culture to stimulate their experiments in visual form , either by making popular entertainment the subject matter of their paint- ings ( the impressionists ) or ...
Síða 16
... modernist aesthetic practice . In Baudelaire's words , he is constantly looking for that " indefinable something we may be allowed to call ' modernity , ' " which is " the transient , the fleet- ing , and the contingent . " His aim is ...
... modernist aesthetic practice . In Baudelaire's words , he is constantly looking for that " indefinable something we may be allowed to call ' modernity , ' " which is " the transient , the fleet- ing , and the contingent . " His aim is ...
Síða 20
... modernist consumption domain of the flâneur - from modernist production , and to relegate the sounds and sights of modern life to the former activity . Statements by Cocteau like “ The music hall , the circus , and American negro bands ...
... modernist consumption domain of the flâneur - from modernist production , and to relegate the sounds and sights of modern life to the former activity . Statements by Cocteau like “ The music hall , the circus , and American negro bands ...
Efni
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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Adorno aesthetic American analysis artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's cultural studies data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist montage narrative object opera Paris Peter Bürger photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University viewer voice Western woman writing Yellow Earth York