Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 12Indiana University Press, 1989 |
From inside the book
Niðurstöður 1 - 3 af 27
Síða 80
... Benjamin had one great objective in mind when he argued , in the mid - thirties , for the " melting down " of hoary dichotomies like high and mass culture : the elimination of the distinction between artist ( or performer ) and audience ...
... Benjamin had one great objective in mind when he argued , in the mid - thirties , for the " melting down " of hoary dichotomies like high and mass culture : the elimination of the distinction between artist ( or performer ) and audience ...
Síða 81
... Benjamin and Brecht were not promoting yet another modernist formalism ; 1o Benjamin simply recognizes that revolutionary content presented in a familiar form , and hence easily appropriated by mainstream culture , is futile . The only ...
... Benjamin and Brecht were not promoting yet another modernist formalism ; 1o Benjamin simply recognizes that revolutionary content presented in a familiar form , and hence easily appropriated by mainstream culture , is futile . The only ...
Síða 54
... Benjamin in- sists that the performative strategy of epic theater must seek to interrupt gestures themselves , pursuing the activity of framing within the frame . Not surprisingly , Benjamin associates epic theater with the montage ...
... Benjamin in- sists that the performative strategy of epic theater must seek to interrupt gestures themselves , pursuing the activity of framing within the frame . Not surprisingly , Benjamin associates epic theater with the montage ...
Efni
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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Adorno aesthetic American analysis artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's cultural studies data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist montage narrative object opera Paris Peter Bürger photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University viewer voice Western woman writing Yellow Earth York