Mad for Foucault: Rethinking the Foundations of Queer TheoryColumbia University Press, 2010 - 344 síður Michel Foucault was the first to embed the roots of human sexuality in discipline and biopolitics, therefore revolutionizing our conception of sex and its relationship to society, economics, and culture. Yet over the past two decades, scholars have limited themselves to the study of Foucault's History of Sexuality, volume 1 paying lesser attention to his equally explosive History of Madness. In this earlier volume, Foucault recasts Western rationalism as a project that both produces and represses sexual deviants, calling out the complicity of modern science and the exclusionary nature of family morality. By reclaiming these deft moves, Lynne Huffer teases out exciting new strands of Foucauldian thought. She then revisits the theorist's ethical work in light of these discoveries, divining an ethics of eros that sees sexuality as a lived experience we are repeatedly called on to remember. Throughout her study, Huffer weaves her own experiences together with Foucault's, sampling from unpublished interviews and other archived materials in order to intimately rework the problem of sexuality as a product of reason. |
From inside the book
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Síða xvi
... tragic presence of life and death - Eros and Thanatos - at the heart of all subjectivity . By the late eighteenth century , that tragic subjectivity had been masked by science in the capture of madness as mental illness . Within that ...
... tragic presence of life and death - Eros and Thanatos - at the heart of all subjectivity . By the late eighteenth century , that tragic subjectivity had been masked by science in the capture of madness as mental illness . Within that ...
Síða 119
... tragic - it both tries and fails to grieve . For even the tragic , for all its lyricism and poetic flight , requires the structures of reason that undergird the subject to make itself heard . As for the " others , " they remain lost to ...
... tragic - it both tries and fails to grieve . For even the tragic , for all its lyricism and poetic flight , requires the structures of reason that undergird the subject to make itself heard . As for the " others , " they remain lost to ...
Síða 120
... tragic theme and imagery . Madness's distinctively lyrical style , its play with the familiar tragic imagery of light and dark , or its repeated evoca- tion of romantic figures such as Nerval and Van Gogh , all signal the book's tragic ...
... tragic theme and imagery . Madness's distinctively lyrical style , its play with the familiar tragic imagery of light and dark , or its repeated evoca- tion of romantic figures such as Nerval and Van Gogh , all signal the book's tragic ...
Efni
Mad for Foucault | 1 |
How We Became Queer | 44 |
Unraveling the Queer Psyche | 127 |
Höfundarréttur | |
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Common terms and phrases
Age of Reason archive argue Barraqué becomes biopolitical biopower bourgeois Butler Cartesian cault century chapter coextensive cogito conception confinement constitutes context critique Dean and Lane Deleuze Deleuzian Derrida Descartes desubjectivation dialectical Diderot discursive Droit emergence emphasis added Eribon eros erotic ethics of eros exclusion experience feminism feminist figure Foucauldian Foucault calls Foucault describes Foucault puts Foucault writes Foucault's ethics freedom French Freud Freudian Genealogy Genealogy of Morals gesture Hegel Hegelian Hermeneutics heterotopian History of Madness homosexual Ibid identity insists interiority ironic irony language limit lives lyricism Madness's Michel Foucault modern moral movement ness Nietzsche Nietzschean paradoxically passage perspective philosophical political practice preface produces psyche psychic psychoanalysis queer theory question Rameau's Nephew rationalist reading reason and unreason relation repressive rupture Sedgwick sexual subject ship of fools space speak specifically split story structure subjectivation sublated theory's thinking tion tragic transformation translation modified undoing