Mad for Foucault: Rethinking the Foundations of Queer Theory
Columbia University Press, 2010 - 344 síğur
Michel Foucault was the first to embed the roots of human sexuality in discipline and biopolitics, therefore revolutionizing our conception of sex and its relationship to society, economics, and culture. Yet over the past two decades, scholars have limited themselves to the study of Foucault's History of Sexuality, volume 1 paying lesser attention to his equally explosive History of Madness. In this earlier volume, Foucault recasts Western rationalism as a project that both produces and represses sexual deviants, calling out the complicity of modern science and the exclusionary nature of family morality. By reclaiming these deft moves, Lynne Huffer teases out exciting new strands of Foucauldian thought. She then revisits the theorist's ethical work in light of these discoveries, divining an ethics of eros that sees sexuality as a lived experience we are repeatedly called on to remember. Throughout her study, Huffer weaves her own experiences together with Foucault's, sampling from unpublished interviews and other archived materials in order to intimately rework the problem of sexuality as a product of reason.
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That figure is Rameau's Nephew , the titular character of Denis Diderot's satire
written on the eve of the French Revolution . In the Nephew , Foucault finds a
figure of subjective instability who both incarnates unreason and , simultaneously
This seemingly classical tension in Foucault between tragic and ironic rhetorical
modes is both dramatized and made strange by the Nephew's performance at the
heart of Madness . In his presentation of Diderot , Foucault insists repeatedly on ...
madness is , unlike the Nephew's , forced by rationalism's despotic power .
Inscribed within a psychoanalytic objectifying practice , “ I am mad ” is not the
sign of the subject's truth , but the effect of a technology that is the historical result
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Mad for Foucault
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