Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 77
Síða 43
... story that the narrator — perhaps Kafû himself as a Japanese visitor to the St. Louis Fair - hears from " S— , " his guide to the fair ( annaisha ) . How- ever , the story that " S- " tells him is not actually S - ' s , but that of a ...
... story that the narrator — perhaps Kafû himself as a Japanese visitor to the St. Louis Fair - hears from " S— , " his guide to the fair ( annaisha ) . How- ever , the story that " S- " tells him is not actually S - ' s , but that of a ...
Síða 135
... story is in part the private story of a father and son , it unfolds within the most explicitly social and historical setting of the 20th century : the Nazi holocaust . Guido has assigned himself the task of enabling his son's physical ...
... story is in part the private story of a father and son , it unfolds within the most explicitly social and historical setting of the 20th century : the Nazi holocaust . Guido has assigned himself the task of enabling his son's physical ...
Síða 151
... story within the frame- work of a constant present . Thus , both stories end with a begin- ning and thus preserve risk as a constitutive component of magic . This experience of risk can certainly give rise to the tempta- tion to ...
... story within the frame- work of a constant present . Thus , both stories end with a begin- ning and thus preserve risk as a constitutive component of magic . This experience of risk can certainly give rise to the tempta- tion to ...
Efni
Letter from the Editor | 3 |
On Art and War at the Saint Louis Worlds Fair 1904 | 28 |
Evoking Exploration Between Bazin | 53 |
Höfundarréttur | |
16 aðrir hlutar ekki sýndir
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aesthetic Ainu Allemagne Alphaville American Andy Warhol Arab argues artistic Asian avant-garde Bali Balinese beauty become Belo body Bungakuron buraku camera cinema critical critique cultural death deconstruction Deleuze Derrida describes desire dialectical discourse Don Justo essay experience exploration film Exquisite Corpse fiction figure film's filmmaking Forbidden Quest gender ghost Gilles Deleuze Godard Guido Heidegger Historias mínimas Hong Kong films Ibid identity Jacques Derrida Japan Japanese JLG/JLG Jubran Kafû Korean language Lemmy literary literature Margaret Mead Marty masochism masochist Mead and Bateson Meiji modern monogatari movement Nakagami Nakagami Kenji narrative Natsume Sōseki object ontological painting philosophy Piper political present queer question racial reading relationship representation rice and potato rice queen Rihani scene sense sexual shot social Sōseki space spectators story structure temporal theory thinking tion Tokyo trance trans Tscherkassky ture University Press viewer visual Warhol women writes York