Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 70
Síða 13
... present of the third person , present tense , one which denies the fact that the events that are described occur in the past . There is the textual construction of an ahistorical presence through the use of the ethnographic present ...
... present of the third person , present tense , one which denies the fact that the events that are described occur in the past . There is the textual construction of an ahistorical presence through the use of the ethnographic present ...
Síða 14
... present . If to be haunted is " to remember what one has never lived in the present , " it is not a mere trick of memory . At the time of the haunting the ghost takes a form other than that of pres- ence , but the ghost is not whatever ...
... present . If to be haunted is " to remember what one has never lived in the present , " it is not a mere trick of memory . At the time of the haunting the ghost takes a form other than that of pres- ence , but the ghost is not whatever ...
Síða 17
... present and cinematic reception conjures ghosts , deconstruction can be seen to be at work in film . The present , even or especially the living present , can no longer be understood as the self - identical source , the original whose ...
... present and cinematic reception conjures ghosts , deconstruction can be seen to be at work in film . The present , even or especially the living present , can no longer be understood as the self - identical source , the original whose ...
Efni
Letter from the Editor | 3 |
On Art and War at the Saint Louis Worlds Fair 1904 | 28 |
Evoking Exploration Between Bazin | 53 |
Höfundarréttur | |
16 aðrir hlutar ekki sýndir
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aesthetic Ainu Allemagne Alphaville American Andy Warhol Arab argues artistic Asian avant-garde Bali Balinese beauty become Belo body Bungakuron buraku camera cinema critical critique cultural death deconstruction Deleuze Derrida describes desire dialectical discourse Don Justo essay experience exploration film Exquisite Corpse fiction figure film's filmmaking Forbidden Quest gender ghost Gilles Deleuze Godard Guido Heidegger Historias mínimas Hong Kong films Ibid identity Jacques Derrida Japan Japanese JLG/JLG Jubran Kafû Korean language Lemmy literary literature Margaret Mead Marty masochism masochist Mead and Bateson Meiji modern monogatari movement Nakagami Nakagami Kenji narrative Natsume Sōseki object ontological painting philosophy Piper political present queer question racial reading relationship representation rice and potato rice queen Rihani scene sense sexual shot social Sōseki space spectators story structure temporal theory thinking tion Tokyo trance trans Tscherkassky ture University Press viewer visual Warhol women writes York