Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28Indiana University Press, 2006 |
From inside the book
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Síða 106
... camera lens . This shot is followed by a quick , in- camera cut . A man with his back to the camera occupies the bulk of the image , and at his right we see a white statue of a human figure . A light flashes briefly , and another quick ...
... camera lens . This shot is followed by a quick , in- camera cut . A man with his back to the camera occupies the bulk of the image , and at his right we see a white statue of a human figure . A light flashes briefly , and another quick ...
Síða 108
... camera . When the camera finally begins to move , another suspenseful moment for which the spectator waits , this , too , has the feeling of anti - climax . Rather than remain- ing with our protagonists , Warhol's camera strays around ...
... camera . When the camera finally begins to move , another suspenseful moment for which the spectator waits , this , too , has the feeling of anti - climax . Rather than remain- ing with our protagonists , Warhol's camera strays around ...
Síða 72
... camera . Subjectivity itself , here , is ineluctably cinematographic , something filmed . The " camera " that sees such identity and difference is , as Gilles Deleuze shows us in detail , essentially mobile : " the mobile camera is like ...
... camera . Subjectivity itself , here , is ineluctably cinematographic , something filmed . The " camera " that sees such identity and difference is , as Gilles Deleuze shows us in detail , essentially mobile : " the mobile camera is like ...
Efni
Letter from the Editor | 3 |
On Art and War at the Saint Louis Worlds Fair 1904 | 28 |
Evoking Exploration Between Bazin | 53 |
Höfundarréttur | |
16 aðrir hlutar ekki sýndir
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Common terms and phrases
aesthetic Ainu Allemagne Alphaville American Andy Warhol Arab argues artistic Asian avant-garde Bali Balinese beauty become Belo body Bungakuron buraku camera cinema critical critique cultural death deconstruction Deleuze Derrida describes desire dialectical discourse Don Justo essay experience exploration film Exquisite Corpse fiction figure film's filmmaking Forbidden Quest gender ghost Gilles Deleuze Godard Guido Heidegger Historias mínimas Hong Kong films Ibid identity Jacques Derrida Japan Japanese JLG/JLG Jubran Kafû Korean language Lemmy literary literature Margaret Mead Marty masochism masochist Mead and Bateson Meiji modern monogatari movement Nakagami Nakagami Kenji narrative Natsume Sōseki object ontological painting philosophy Piper political present queer question racial reading relationship representation rice and potato rice queen Rihani scene sense sexual shot social Sōseki space spectators story structure temporal theory thinking tion Tokyo trance trans Tscherkassky ture University Press viewer visual Warhol women writes York