Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28Indiana University Press, 2006 |
From inside the book
Niðurstöður 1 - 3 af 53
Síða 143
... argue that the associations of violence and iconoclasm that critics fortify by framing Nakagami's life and work in ... argues that far from breaking , the treatment of received tradition and cultural objects ( e.g. photographs ...
... argue that the associations of violence and iconoclasm that critics fortify by framing Nakagami's life and work in ... argues that far from breaking , the treatment of received tradition and cultural objects ( e.g. photographs ...
Síða 94
... argue that " to wash blood with blood " is a perfectly fitting metaphor for Bun- gakuron — at least perfectly ... argues that Sōseki saw the rise of nationalism in Meiji modernity as a destructive force on Japanese cul- ture and ...
... argue that " to wash blood with blood " is a perfectly fitting metaphor for Bun- gakuron — at least perfectly ... argues that Sōseki saw the rise of nationalism in Meiji modernity as a destructive force on Japanese cul- ture and ...
Síða 228
... argues that the replacement of the minority worker with the powerful woman is a form of ventriloquism that cinematically embodies anxieties of both race and gender in the American work- place ; these films elliptically address race by ...
... argues that the replacement of the minority worker with the powerful woman is a form of ventriloquism that cinematically embodies anxieties of both race and gender in the American work- place ; these films elliptically address race by ...
Efni
Letter from the Editor | 3 |
On Art and War at the Saint Louis Worlds Fair 1904 | 28 |
Evoking Exploration Between Bazin | 53 |
Höfundarréttur | |
16 aðrir hlutar ekki sýndir
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aesthetic Ainu Allemagne Alphaville American Andy Warhol Arab argues artistic Asian avant-garde Bali Balinese beauty become Belo body Bungakuron buraku camera cinema critical critique cultural death deconstruction Deleuze Derrida describes desire dialectical discourse Don Justo essay experience exploration film Exquisite Corpse fiction figure film's filmmaking Forbidden Quest gender ghost Gilles Deleuze Godard Guido Heidegger Historias mínimas Hong Kong films Ibid identity Jacques Derrida Japan Japanese JLG/JLG Jubran Kafû Korean language Lemmy literary literature Margaret Mead Marty masochism masochist Mead and Bateson Meiji modern monogatari movement Nakagami Nakagami Kenji narrative Natsume Sōseki object ontological painting philosophy Piper political present queer question racial reading relationship representation rice and potato rice queen Rihani scene sense sexual shot social Sōseki space spectators story structure temporal theory thinking tion Tokyo trance trans Tscherkassky ture University Press viewer visual Warhol women writes York