Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 28Indiana University Press, 2006 |
From inside the book
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Síða 79
... Jubran Khalil Jubran , The Summit , Watercolor and pencil on paper , Telfair Museum ( c.1925 ) . Francois - Emile Ehrmann . In introducing the topic , Antun focuses not on aesthetics but on the market value of the paintings in the ...
... Jubran Khalil Jubran , The Summit , Watercolor and pencil on paper , Telfair Museum ( c.1925 ) . Francois - Emile Ehrmann . In introducing the topic , Antun focuses not on aesthetics but on the market value of the paintings in the ...
Síða 80
... Jubran in Paris - seems to verify this portrait . While they were all Maronites , Huwayyik had a very different pedigree than his companions Jubran and Rihani . Originating from an estab- lished ecclesiastical family , he spent several ...
... Jubran in Paris - seems to verify this portrait . While they were all Maronites , Huwayyik had a very different pedigree than his companions Jubran and Rihani . Originating from an estab- lished ecclesiastical family , he spent several ...
Síða 95
... Jubran , 37 . 43 Ibid . , 26 . 44 Ibid . , 27 . 45 A central feature to the first half of The Path of Vision , his sentiment of expe- riential and emotional bankruptcy is a “ result of an individualism abnormally and artificially ...
... Jubran , 37 . 43 Ibid . , 26 . 44 Ibid . , 27 . 45 A central feature to the first half of The Path of Vision , his sentiment of expe- riential and emotional bankruptcy is a “ result of an individualism abnormally and artificially ...
Efni
Letter from the Editor | 3 |
On Art and War at the Saint Louis Worlds Fair 1904 | 28 |
Evoking Exploration Between Bazin | 53 |
Höfundarréttur | |
16 aðrir hlutar ekki sýndir
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