Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 12Indiana University Press, 1990 |
From inside the book
Niðurstöður 1 - 3 af 74
Síða 90
... political coding . ' 9910 Though entirely sympathetic with the film's images , this passage leaves unasked the question as to the complicity between this " zero ' political coding " and the technological aspects of production . What ...
... political coding . ' 9910 Though entirely sympathetic with the film's images , this passage leaves unasked the question as to the complicity between this " zero ' political coding " and the technological aspects of production . What ...
Síða 93
... political power through its control of noise . Attali argues that by channeling noise , which is violence , music effects " a sublimation , an exacerbation of the imaginary " that is at the same time " the creation of social order and ...
... political power through its control of noise . Attali argues that by channeling noise , which is violence , music effects " a sublimation , an exacerbation of the imaginary " that is at the same time " the creation of social order and ...
Síða 130
... political forms of understanding of and action for change in relation to those issues . As clearly as anywhere , this matter of the political - ethical can be brought out round the conceptualization and theoretical functioning and lived ...
... political forms of understanding of and action for change in relation to those issues . As clearly as anywhere , this matter of the political - ethical can be brought out round the conceptualization and theoretical functioning and lived ...
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Adorno aesthetic American analysis Anderson articulation artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation represent representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University University of Wisconsin-Milwaukee viewer voice Western woman writing Yellow Earth York