Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 12Indiana University Press, 1990 |
From inside the book
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Síða 34
... existential tendency ; that is , see music as the occurrence of unpredictable events , each mo- ment of sound or silence freed of formal connection with the moment before or after , audible only as a present sensation . " " In this form ...
... existential tendency ; that is , see music as the occurrence of unpredictable events , each mo- ment of sound or silence freed of formal connection with the moment before or after , audible only as a present sensation . " " In this form ...
Síða 67
... existential self- positioning . As soon as one decides to quantify an affect , one loses its qualitative dimensions and its power of singularization , of heterogenesis , in other words , its eventful compositions , the " hecceities ...
... existential self- positioning . As soon as one decides to quantify an affect , one loses its qualitative dimensions and its power of singularization , of heterogenesis , in other words , its eventful compositions , the " hecceities ...
Síða 73
... existential ordering of the sensory environment and which prop up the meta - modelizing scenes of the most abstract problematic affects . Let's survey a few ex- amples . Marcel Duchamp's Bottle Rack functions as the trigger for a ...
... existential ordering of the sensory environment and which prop up the meta - modelizing scenes of the most abstract problematic affects . Let's survey a few ex- amples . Marcel Duchamp's Bottle Rack functions as the trigger for a ...
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Adorno aesthetic American analysis Anderson articulation artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation represent representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University University of Wisconsin-Milwaukee viewer voice Western woman writing Yellow Earth York