Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 12Indiana University Press, 1990 |
From inside the book
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Síða 16
... effect of the " never - ending chorus and its insistent rhythms , " while one " negro " among them licked a big sherbet " with his pink tongue in time with the music " ( NWM 73-74 ) . Milhaud's description of an Afro - Brazilian ...
... effect of the " never - ending chorus and its insistent rhythms , " while one " negro " among them licked a big sherbet " with his pink tongue in time with the music " ( NWM 73-74 ) . Milhaud's description of an Afro - Brazilian ...
Síða 50
... effect than a live orchestra . It is , however , characteristic for jazz as a form of interference that its differentiated elements can be dispensed with without its being neutralized ( aufgehoben ) or ceasing to be recognizable as jazz ...
... effect than a live orchestra . It is , however , characteristic for jazz as a form of interference that its differentiated elements can be dispensed with without its being neutralized ( aufgehoben ) or ceasing to be recognizable as jazz ...
Síða 80
... effect , " or Brecht's " alienation- effect " that provokes a potentially critical response from an audience , a heightened presence of mind , in Benjamin's terms . Ideally , an audience forced to reevaluate its habits in receiving ...
... effect , " or Brecht's " alienation- effect " that provokes a potentially critical response from an audience , a heightened presence of mind , in Benjamin's terms . Ideally , an audience forced to reevaluate its habits in receiving ...
Efni
FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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