Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 12Indiana University Press, 1990 |
From inside the book
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Síða 122
... data bases . In many cases individuals themselves fill out the forms ; they are at once the source of information ... data base , enters data about him or herself directly into producer's data base in the very act of purchase ...
... data bases . In many cases individuals themselves fill out the forms ; they are at once the source of information ... data base , enters data about him or herself directly into producer's data base in the very act of purchase ...
Síða 125
... data bases is " subscrip- tions to communist periodicals . " Here the category itself is politically charged . But the way data is entered into the field illustrates well the discursive function of data bases . The name of the journal ...
... data bases is " subscrip- tions to communist periodicals . " Here the category itself is politically charged . But the way data is entered into the field illustrates well the discursive function of data bases . The name of the journal ...
Síða 126
... data bases , the Superpanopticon , is a means of controlling masses in the postmodern , postindustrial mode of information . Foucault taught us to read a new form of power by deciphering discourse / practice formations instead of ...
... data bases , the Superpanopticon , is a means of controlling masses in the postmodern , postindustrial mode of information . Foucault taught us to read a new form of power by deciphering discourse / practice formations instead of ...
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Adorno aesthetic American analysis Anderson articulation artist avant-garde Benjamin body Brecht Center Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation represent representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University University of Wisconsin-Milwaukee viewer voice Western woman writing Yellow Earth York