Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 12Indiana University Press, 1990 |
From inside the book
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Síða 17
... Milhaud's appropriation of Brazilian music was doubly shocking : first the shock to Milhaud's own system of musical expectations , and then the quite different shock to the Parisian audiences of his Brazilian - inspired music ...
... Milhaud's appropriation of Brazilian music was doubly shocking : first the shock to Milhaud's own system of musical expectations , and then the quite different shock to the Parisian audiences of his Brazilian - inspired music ...
Síða 24
... Milhaud was trying to make his own independent contribution to a movement in which he so far had only been a supporting player . But what he thought to be a major breakthrough — the first symphony for a jazz orchestra - turned out to be ...
... Milhaud was trying to make his own independent contribution to a movement in which he so far had only been a supporting player . But what he thought to be a major breakthrough — the first symphony for a jazz orchestra - turned out to be ...
Síða 26
... Milhaud , Notes without Music , trans . Donald Evans ( New York : Knopf , 1953 ) 118 ( henceforth NWM ) . This is Milhaud's autobiog- raphy , not to be confused with Notes sur la musique , which is a collection of his essays . 10 Jean ...
... Milhaud , Notes without Music , trans . Donald Evans ( New York : Knopf , 1953 ) 118 ( henceforth NWM ) . This is Milhaud's autobiog- raphy , not to be confused with Notes sur la musique , which is a collection of his essays . 10 Jean ...
Efni
FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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