Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 1Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 26
Síða 13
... visually with the risk of exciting desire attendant on any visual image . The ban on visual representation of the Holocaust , like the ban on graven images , entails desire . Hartman's formulation owes a debt to Theodor Adorno's warn ...
... visually with the risk of exciting desire attendant on any visual image . The ban on visual representation of the Holocaust , like the ban on graven images , entails desire . Hartman's formulation owes a debt to Theodor Adorno's warn ...
Síða 71
... visual as an insistent sign of identity . Viewers are tensionally pinned between the film's visual insistence on Clay's skin and its conceptual refusal to remark this particular difference . [ See Figure 1 ] Suture consequently takes ...
... visual as an insistent sign of identity . Viewers are tensionally pinned between the film's visual insistence on Clay's skin and its conceptual refusal to remark this particular difference . [ See Figure 1 ] Suture consequently takes ...
Síða 89
... visual image or constellation of images , and to certain bodily feelings , whose determinant is less physi- ological than social " ( 14 ) . Silverman then goes on to search for an ethics of the visual and a psychoanalytic politics of the ...
... visual image or constellation of images , and to certain bodily feelings , whose determinant is less physi- ological than social " ( 14 ) . Silverman then goes on to search for an ethics of the visual and a psychoanalytic politics of the ...
Efni
Total Duplicity of this War | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Höfundarréttur | |
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Al Sharpton American anti-Semitic argues art history artistic assimilation audience Body Snatchers body with AIDS Brawley's Brawley's allegations Brawley's supporters Buber Cahiers du cinéma Chantal Akerman Chantal Akerman's Christian cinema claim Clay Clay's collective memory colorblind critical cultural studies Descartes discourse diving dream dualism ethnic fact fantasy fear fiction film's filmic Freud gaze Glenda Brawley grand jury Greg Louganis Gutmann hoax Holocaust homosexual horror film Howard Beach idolatry infection interview Invasion Jewish art Jewish identity Jews Kol Nidre Lanzmann Louganis's Maddox mainstream Martí McGehee and Siegel montage multicultural narrative Nidre nineteenth century Niney Olympics original Outrage notes politics Press race racial racism rape remake Renee representation Second Commandment Secrets sexual Sharpton shot social suggests suture Tawana Brawley television television's theory thing Trans transmission Vernon Mason victims viewers Vincent Towers visibility visual Walker Art Center Wayne State University York