Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 31,Útgáfa 3Indiana University Press, 2009 |
From inside the book
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Síða 192
... martial arts film , or wuxia . The transnational trajectories of embodied translations come through very clearly in Steimer's terminology . What she calls " Kiwi- style ' wire fu ' " refers to wirework stunts modeled after Hong Kong ...
... martial arts film , or wuxia . The transnational trajectories of embodied translations come through very clearly in Steimer's terminology . What she calls " Kiwi- style ' wire fu ' " refers to wirework stunts modeled after Hong Kong ...
Síða 379
... martial arts when I was a martial artist , I'm no longer a martial artist . I'm now a stunt person .... So in terms of shifting my style , it had to be very conscious for me , because fighting Xena - style had become very instinctive ...
... martial arts when I was a martial artist , I'm no longer a martial artist . I'm now a stunt person .... So in terms of shifting my style , it had to be very conscious for me , because fighting Xena - style had become very instinctive ...
Síða 386
... martial arts postures and movement " ) . Actors who played Huang Fei Hong had to undergo martial arts training ( “ Hong Kong Popular Culture as an Interpretive Arena : The Huang Feihong Film Series , " Screen 3 , no . 8 [ 1997 ] : 1–24 ...
... martial arts postures and movement " ) . Actors who played Huang Fei Hong had to undergo martial arts training ( “ Hong Kong Popular Culture as an Interpretive Arena : The Huang Feihong Film Series , " Screen 3 , no . 8 [ 1997 ] : 1–24 ...
Efni
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
A Cartography | 273 |
Höfundarréttur | |
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