Discourse, Bindi 31,Útgáfa 32009 |
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Síða 223
... genre . " 1o In a prominent passage , Stewart describes the temporal disjunctures that the distressed genre relies on : " Thus distressed forms show us the gap between past and present as a structure of desire , a structure in which ...
... genre . " 1o In a prominent passage , Stewart describes the temporal disjunctures that the distressed genre relies on : " Thus distressed forms show us the gap between past and present as a structure of desire , a structure in which ...
Síða 367
... genre to several notable auteurs , the technologized bodily display of the onscreen performers may have been the major draw for Chinese audiences . It was in these decades that select Shaw directors like King Hu garnered the interest of ...
... genre to several notable auteurs , the technologized bodily display of the onscreen performers may have been the major draw for Chinese audiences . It was in these decades that select Shaw directors like King Hu garnered the interest of ...
Síða 384
... Genres : Gen- der , Genre and Excess , " in Feminist Film Theory : A Reader , ed . Sue Thornham [ New York : New York University Press , 1999 ] , 267–84 , quotations on 269–71 ) . I use the term stunting star and not stunt star to ...
... Genres : Gen- der , Genre and Excess , " in Feminist Film Theory : A Reader , ed . Sue Thornham [ New York : New York University Press , 1999 ] , 267–84 , quotations on 269–71 ) . I use the term stunting star and not stunt star to ...
Efni
The Embodied Afterlives of Translation MAR 292011 | 185 |
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
Höfundarréttur | |
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