Discourse, Bindi 31,Útgáfa 32009 |
From inside the book
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Síða 361
... action spectacle that is Kiwi - style wire fu was inspired by the cinephilia of Xena's U.S. producers , avid fans of Hong Kong films . The embodied translations of wuxia - based body spectacles in Xena were grounded in the material ...
... action spectacle that is Kiwi - style wire fu was inspired by the cinephilia of Xena's U.S. producers , avid fans of Hong Kong films . The embodied translations of wuxia - based body spectacles in Xena were grounded in the material ...
Síða 369
... action sequences we wanted to do in the show . " 41 The initial stage of communicative translation was made in preproduction , as Raimi and Tapert hoped to use the spectatorial effects elicited by Hong Kong wuxia action spectacles to ...
... action sequences we wanted to do in the show . " 41 The initial stage of communicative translation was made in preproduction , as Raimi and Tapert hoped to use the spectatorial effects elicited by Hong Kong wuxia action spectacles to ...
Síða 371
... action sequences and developed makeshift wire rigs to approxi- mate the onscreen action . Peter Bell's stunt teams worked analo- gously to the Hong Kong system , with a group of men in charge of lifting a person ( usually a woman ) on ...
... action sequences and developed makeshift wire rigs to approxi- mate the onscreen action . Peter Bell's stunt teams worked analo- gously to the Hong Kong system , with a group of men in charge of lifting a person ( usually a woman ) on ...
Efni
The Embodied Afterlives of Translation MAR 292011 | 185 |
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
Höfundarréttur | |
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