Discourse, Bindi 31,Útgáfa 32009 |
From inside the book
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Síða 197
... Trinh addresses this masculin- ism in the ways that she reappropriates the famous words of anti- French leader Phan Bội Châu to make them serve as the film's title . Trinh critiques a form of heteropatriarchal nationalism that requires ...
... Trinh addresses this masculin- ism in the ways that she reappropriates the famous words of anti- French leader Phan Bội Châu to make them serve as the film's title . Trinh critiques a form of heteropatriarchal nationalism that requires ...
Síða 202
... Trinh inhabits the subject of her own film ; she is both a translator and traitor as a result of the collaborative act . As Trinh retells it , the problem of being “ framed ” had actually been sutured into the fabric of the film from ...
... Trinh inhabits the subject of her own film ; she is both a translator and traitor as a result of the collaborative act . As Trinh retells it , the problem of being “ framed ” had actually been sutured into the fabric of the film from ...
Síða 217
... Trinh reads in the film . 37 Katherine Gracki , " True Lies : Staging the Ethnographic Interview in Trinh T. Minh - ha's Surname Viet , Given Name Nam , " Pacific Coast Philology 36 ( 2001 ) : 48–63 , quotation on 49 . 38 Ibid . , 50 ...
... Trinh reads in the film . 37 Katherine Gracki , " True Lies : Staging the Ethnographic Interview in Trinh T. Minh - ha's Surname Viet , Given Name Nam , " Pacific Coast Philology 36 ( 2001 ) : 48–63 , quotation on 49 . 38 Ibid . , 50 ...
Efni
The Embodied Afterlives of Translation MAR 292011 | 185 |
Desire Embodiment and Buddhist | 220 |
South Korean Cosmetic Media and the Paradox | 248 |
Höfundarréttur | |
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