...the walls is of a glossy, silvery hue, intermingled with small Arabesque devices of a fainter tint of the prevalent crimson. Many paintings relieve the...grottoes of Stanfield, or the Lake of the Dismal Swamp of our own Chapman. The tone of each is warm but dark — there are no brilliant effects. Not one of the...

...small Arabesque devices of a fainter tint of the prevalent crimson. Many paintings relieve the exparrse of the paper. These are chiefly landscapes of an imaginative...grottoes of Stanfield, or the Lake of the Dismal Swamp of our own Chapman. The tone of each is warm but dark — there are no brilliant effects. Not one of the...

...one occasionally overlaying the other. The walls are prepared with a glossy paper of a silver gray tint, spotted with small Arabesque devices of a fainter hue of the prevalent crimson. Many pairftings relieve the expanse of the paper. These are chiefly landscapes of an imaginative cast —...

...the same crimson ground, relieved simply by the appearance of a gold cord (like that festooning the curtains ) slightly relieved above the surface of...fainter hue of the prevalent crimson. Many paintings refieve the expanse of the paper. These are chiefly landscapes of an imaginative cast, such as the...

...other. The walls are prepared with a glossy paper of a silver-gray tint, spotted with small Arahesque igation of the air in any direction (not exactly in...its influence, if requisite. Against a pretty stiff heauty — portraits in the manner of Sully. The tone of each picture is warm, but dark. There are...

...has no g . . . g forms (A) border. (A) "The walls are prepared with a glossy paper of a silver gray tint, spotted" with small Arabesque devices of a fainter...imaginative cast — such as the fairy grottoes of Stanfield,12 or the lake of the Dismal Swamp ofr Chapman.13 sThere are, nevertheless, three or four...