Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 36
Síða 13
... visual . But " visual " is a large and amor- phous category , which would seem to require further qualification . This sequence provides the necessary refinement . It suggests that the body which we turn toward the world of the Other is ...
... visual . But " visual " is a large and amor- phous category , which would seem to require further qualification . This sequence provides the necessary refinement . It suggests that the body which we turn toward the world of the Other is ...
Síða 27
... visual realm , and suggests that the kind of mastery , which classically attaches itself to the camera's eye , is fictive and unstable . The film thus inverts the conventional paradigm of spectatorial relations which feminist film ...
... visual realm , and suggests that the kind of mastery , which classically attaches itself to the camera's eye , is fictive and unstable . The film thus inverts the conventional paradigm of spectatorial relations which feminist film ...
Síða 44
... visual produc- tion as a whole , but as Anna's rejection of the illusions about visual mastery which have plagued her , and for which the photographic camera has served as a metaphor throughout the film . Notes I am grateful to Kaja ...
... visual produc- tion as a whole , but as Anna's rejection of the illusions about visual mastery which have plagued her , and for which the photographic camera has served as a metaphor throughout the film . Notes I am grateful to Kaja ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York