Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 24
Síða 53
... touch . . . . Vision corresponds to trans- parency and distance , touch to opacity and proximity " ( 131-132 ) . The blurred close - ups of bodily surfaces and shapes seen here by the viewer are akin to those she might see when ...
... touch . . . . Vision corresponds to trans- parency and distance , touch to opacity and proximity " ( 131-132 ) . The blurred close - ups of bodily surfaces and shapes seen here by the viewer are akin to those she might see when ...
Síða 67
... touch the image projected on the screen the way Judith and Joseph touch their photographic images , his / her perceptual engagement with the film is equally mediated by the screen - surface . Yet , neither the absence of carnally ...
... touch the image projected on the screen the way Judith and Joseph touch their photographic images , his / her perceptual engagement with the film is equally mediated by the screen - surface . Yet , neither the absence of carnally ...
Síða 80
... Touch Cinema invites this breakdown in decorum , while subjecting its participants to a counter - surveying look . The reversal of Freud's model of the male paranoiac ( the " I love him / I hate him / he hates me , " wherein a ...
... Touch Cinema invites this breakdown in decorum , while subjecting its participants to a counter - surveying look . The reversal of Freud's model of the male paranoiac ( the " I love him / I hate him / he hates me , " wherein a ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York