Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 26
Síða 25
... shot described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright ...
... shot described above bears a resemblance to the opening shot of Alfred Hitchcock's Psycho , and its effects can be better understood through a comparison . At the start of Psycho , Discourse 22.2 ( Spring 2000 ) : 25–45 . Copyright ...
Síða 35
... shot replicating the mise - en - scène of the initial plaza view , but this time Anna's contorted figure appears lying in the foreground . In the next shot , however , Anna's figure has suddenly been replaced by a life - size , black ...
... shot replicating the mise - en - scène of the initial plaza view , but this time Anna's contorted figure appears lying in the foreground . In the next shot , however , Anna's figure has suddenly been replaced by a life - size , black ...
Síða 43
... shot of a hand tearing a photograph , whose content is difficult to discern , before the closing credits appear . The repetition of the tracking shot from the beginning of the film provides an appropriate conclusion to the film ...
... shot of a hand tearing a photograph , whose content is difficult to discern , before the closing credits appear . The repetition of the tracking shot from the beginning of the film provides an appropriate conclusion to the film ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York