Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 12
Síða 15
... sensational body can never really be “ one ” with the image that we are for ourselves and others . The two bodies can be only imaginarily stitched together , and even then only temporarily ; the human subject is forever falling once ...
... sensational body can never really be “ one ” with the image that we are for ourselves and others . The two bodies can be only imaginarily stitched together , and even then only temporarily ; the human subject is forever falling once ...
Síða 18
... sensational body , the image itself is much more suggestive of a violence done first to the sensational body , and then relayed to the specular body . Nevertheless , it is important that there is a certain undecidabil- ity in this ...
... sensational body , the image itself is much more suggestive of a violence done first to the sensational body , and then relayed to the specular body . Nevertheless , it is important that there is a certain undecidabil- ity in this ...
Síða 19
... sensational ensemble . The body is not " written " once and for all in the " languages " of sensation and image ... sensational body should really be called the " affective - sensational body , " since sensations always gen- erate affect ...
... sensational ensemble . The body is not " written " once and for all in the " languages " of sensation and image ... sensational body should really be called the " affective - sensational body , " since sensations always gen- erate affect ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
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Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York