Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bindi 22,Útgáfa 2Indiana University Press, 2000 |
From inside the book
Niðurstöður 1 - 3 af 21
Síða 12
... seen to be inside the larger photograph , but not inside the photographic insert . Four similar shots follow , involving photographs of hands and torsos , in different combinations of black and white and color , all cut in half ...
... seen to be inside the larger photograph , but not inside the photographic insert . Four similar shots follow , involving photographs of hands and torsos , in different combinations of black and white and color , all cut in half ...
Síða 68
... seen without presenting itself to be seen , which has gone out of the room before leaving only its trace visible there ” ( The Imaginary Signifier 63 ) . For all its suggestive resonances with the scene just described , Metz's use of ...
... seen without presenting itself to be seen , which has gone out of the room before leaving only its trace visible there ” ( The Imaginary Signifier 63 ) . For all its suggestive resonances with the scene just described , Metz's use of ...
Síða 111
... seen towards the end of their film amongst the pilots . Cooper is quoted as saying : " Let's kill the son - of - a - bitch ourselves " ( Haver 108 , similarly Goldner 173 ) . 99 This film expedition of Denham's starts out in search of ...
... seen towards the end of their film amongst the pilots . Cooper is quoted as saying : " Let's kill the son - of - a - bitch ourselves " ( Haver 108 , similarly Goldner 173 ) . 99 This film expedition of Denham's starts out in search of ...
Efni
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Höfundarréttur | |
5 aðrir hlutar ekki sýndir
Aðrar útgáfur - View all
Common terms and phrases
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York